1st Symphony Concert
Inaugural Concert of General Music Director Mark Rohde
Wagner | Bruckner
                    Wagner | Bruckner
from 14 years
                                Semesterticket Mainfranken Theater
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Team
Conductor: Mark Rohde
                            Cast
Karis Tucker (mezzo sorano)
                                Philharmonisches Orchester Würzburg
                            Semesterticket Mainfranken Theater
Für die Nutzer*innen des "Semestertickets Mainfranken Theater" gibt es in dieser Vorstellung noch freie Plätze! Für weitere Informationen zum "Semesterticket Mainfranken Theater" hier klicken. Oder hier gleich Karten reservieren:
                    
                Für die Nutzer*innen des "Semestertickets Mainfranken Theater" gibt es in dieser Vorstellung noch freie Plätze! Für weitere Informationen zum "Semesterticket Mainfranken Theater" hier klicken. Oder hier gleich Karten reservieren:
Team
Conductor: Mark Rohde
                            Cast
Karis Tucker (mezzo sorano)
                                Philharmonisches Orchester Würzburg
                            Richard Wagner
Lohengrin, Prelude to Act III
Richard Wagner
Wesendonck Lieder (orchestration: Felix Mottl)
Anton Bruckner
Symphony No. 7 in E major, WAB 107
Mark Rohde  opens his first concert season as general music director at the Mainfranken  Theater with works by the two great Romantics Richard Wagner and Anton  Bruckner. Richard Wagner is, with his great music dramas, seen as a revolutionary  of the classic musical theater. But he is not only famous for his stunning  operas. His Wesendonck-Lieder belong to his most intimate  compositions. These five Lieder for piano, which were orchestrated later on,  are a result of Wagner’s unanswered love to Mathilde Wesendonck, wife of his generous  sponsor Otto Wesendock. „She is and will stay my first und only love“, Wagner  confirmed in 1863. That is why the atmosphere of his love opera Tristan and Isolde, which he composed at  the same time, is also to be found within this whole song cycle. Tristan and  Isolde, as well as Wesendonck-Lieder, are stories about eternal love,  fulfilled in death. Levitating dissonances and modulations which are constantly  moving express this everlasting desire.
Anton Bruckner was a passionate admirer of Wagner. Bruckner’s 7th symphony is an homage to the master from Bayreuth, who died during the composition in 1883. For the solemn adagio which was completed shortly after Wagner’s death Bruckner used the typical Wagner tubas. With his “7th “, 60-year-old Brucker finally had his long-awaited success. Even though Bruckner was often smiled at by Vienna music critics, conductor Hermann Levi actually said this 7th symphony was “the most significant work since the death of Beethoven“.
				
	Anton Bruckner was a passionate admirer of Wagner. Bruckner’s 7th symphony is an homage to the master from Bayreuth, who died during the composition in 1883. For the solemn adagio which was completed shortly after Wagner’s death Bruckner used the typical Wagner tubas. With his “7th “, 60-year-old Brucker finally had his long-awaited success. Even though Bruckner was often smiled at by Vienna music critics, conductor Hermann Levi actually said this 7th symphony was “the most significant work since the death of Beethoven“.