3rd Symphony Concert
Brahms | Mussorgsky
                    from 14 years
                                Semesterticket Mainfranken Theater
Für die Nutzer*innen des "Semestertickets Mainfranken Theater" gibt es in dieser Vorstellung noch freie Plätze! Für weitere Informationen zum "Semesterticket Mainfranken Theater" hier klicken. Oder hier gleich Karten reservieren:
                    
                Für die Nutzer*innen des "Semestertickets Mainfranken Theater" gibt es in dieser Vorstellung noch freie Plätze! Für weitere Informationen zum "Semesterticket Mainfranken Theater" hier klicken. Oder hier gleich Karten reservieren:
Team
Musical Direction: Mark Rohde
                            Cast
Naoka Aoki (Violin)
                                Philharmonisches Orchester Würzburg
                            Semesterticket Mainfranken Theater
Für die Nutzer*innen des "Semestertickets Mainfranken Theater" gibt es in dieser Vorstellung noch freie Plätze! Für weitere Informationen zum "Semesterticket Mainfranken Theater" hier klicken. Oder hier gleich Karten reservieren:
                    
                Für die Nutzer*innen des "Semestertickets Mainfranken Theater" gibt es in dieser Vorstellung noch freie Plätze! Für weitere Informationen zum "Semesterticket Mainfranken Theater" hier klicken. Oder hier gleich Karten reservieren:
Team
Musical Direction: Mark Rohde
                            Cast
Naoka Aoki (Violin)
                                Philharmonisches Orchester Würzburg
                            JOHANNES BRAHMS
Concerto for Violin and Orchestra in D major, Op. 77
MODEST MUSSORGSKY
Pictures at an Exhibition, 
Orchestral version: Maurice Ravel
Orchestral version: Maurice Ravel
Pictures  set into music: Pictures at an exhibition  by Modest Mussorgsky is an absolute classic. Mussorgsky dedicates this piano  suite to his deceased friend, painter and architect Viktor Hartmann. Inspired  by Hartmann’s artworks, Mussorgsky composed a virtual tour through an art  exhibition. “Gnomus”, “The Old Castle”,  “Tuileries” or “Catacombs“ as well as the closing piece, set in a festive  ambiance “The Great Gate of Kiev” –  every single one of these images awakes an own atmosphere, which Mussorgksy set  impressively into music. Even though Pictures  at an exhibition, arranged for piano, did not receive much attention during  Mussorgsky’s lifetime, 50 years later it finally made its way into the concert  hall: With his incredible sense of timbre, Maurice Ravel transformed the piece  into a dazzling orchestral version and made them world-famous.
Even Mussorgsky’s contemporary Johannes Brahms had no idea that his only violin concert would one day be considered a milestone in violin literature. Reviews of its premiere in 1879 did not suggest initially that this would be the case: the solo part was said to be unplayable and according to conductor Hans von Bulow this work was rather composed “against” instead of “for” the violin. Today, the concert, which was composed during the summer months in Pörtschach am Wörthersee, is one of the most remarkable examples of its genre – not at last because of Brahms’ mastery in using the solo instrument within the framework of a large symphonic narrative.
				
	Even Mussorgsky’s contemporary Johannes Brahms had no idea that his only violin concert would one day be considered a milestone in violin literature. Reviews of its premiere in 1879 did not suggest initially that this would be the case: the solo part was said to be unplayable and according to conductor Hans von Bulow this work was rather composed “against” instead of “for” the violin. Today, the concert, which was composed during the summer months in Pörtschach am Wörthersee, is one of the most remarkable examples of its genre – not at last because of Brahms’ mastery in using the solo instrument within the framework of a large symphonic narrative.