2nd Chamber Concert
On to new horizons!
29. November 2026
2nd Chamber Concert
Chamber Music Hall of University of Music | 11:00
Tickets from July 4 | 11 am
iCal
Semesterticket Mainfranken Theater
Für die Nutzer*innen des "Semestertickets Mainfranken Theater" gibt es in dieser Vorstellung noch freie Plätze! Für weitere Informationen zum "Semesterticket Mainfranken Theater" hier klicken. Oder hier gleich Karten reservieren:
Für die Nutzer*innen des "Semestertickets Mainfranken Theater" gibt es in dieser Vorstellung noch freie Plätze! Für weitere Informationen zum "Semesterticket Mainfranken Theater" hier klicken. Oder hier gleich Karten reservieren:
Cast
WOLFGANG AMADEUS MOZART
String Quartet No. 19 in C Major, K. 465, “Dissonance Quartet”
ANTONÍN DVOŘÁK
String Quartet in F Major, Op. 96, “American Quartet”
String Quartet No. 19 in C Major, K. 465, “Dissonance Quartet”
ANTONÍN DVOŘÁK
String Quartet in F Major, Op. 96, “American Quartet”
On to new horizons! – with two masterpieces of string quartet repertoire: When Antonín Dvořák first set foot on American soil in 1892, he was immediately inspired by his new surroundings. During his three-year stay, he composed some of his most significant and beloved works. In addition to the Symphony No. 9, “From the New World,” these include the String Quartet in F Major, Op. 96, which he completed in just two weeks in Spilville, a small town in Iowa. The work reflects the impressions that the New World made on the European Dvořák.
Over a century earlier, Wolfgang Amadeus Mozart also broke new musical ground in his own unique way with his String Quartet No. 19 in C Major, K. 465. The so-called “Dissonance Quartet” astonished listeners with its boldly structured, harmonically daring opening. Chromatic suspensions and the shifting between major and minor keys heighten the tension to such an extent that some contemporaries even believed there were errors in the notation.
Over a century earlier, Wolfgang Amadeus Mozart also broke new musical ground in his own unique way with his String Quartet No. 19 in C Major, K. 465. The so-called “Dissonance Quartet” astonished listeners with its boldly structured, harmonically daring opening. Chromatic suspensions and the shifting between major and minor keys heighten the tension to such an extent that some contemporaries even believed there were errors in the notation.